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Sun Feb 25 2018 8:00 pm
The Wind and The Wave

In 2014, The Wind and The Wave, a duo from Austin, TX, quietly released one of the best albums of the year. From The Wreckage glowed with a rootsy golden tone that encompassed everything from indie-folk, to alt-country to blues-rock to Southern psychedelia. Its creators, touring musician turned songwriter and producer Dwight Baker and singer-songwriter Patty Lynn, began making music together on a lark, never dreaming anything would come of it. Baker describes it as “kind of like what happens when two friends hold hands and jump in a freezing lake just to see what it feels like.” Thanks to the undeniable chemistry between the pair, the music took on a life of its own and The Wind and The Wave soon found themselves with a major-label record deal, embarking on U.S. headlining tours supporting From The Wreckage, having their songs appear in such TV shows as Grey’s Anatomy, and racking up millions of plays on Spotify and Apple Music. The band also earned itself a rabid following, with fans especially enamored of Lynn’s feisty vocals and brutally personal lyrics about challenging relationships with lovers and family members as well as her relationship with herself. “People really treasure that album,” Baker says. “We got tons of letters from people saying it saved their life. They’re people who are conflicted and searching and they connect with Patty’s lyrics more than anything.”

So when it came time for The Wind and The Wave to make their second album, Baker says he and Lynn felt “some bit of an obligation to deliver that again.” The band definitely deliver on their new album, Happiness Is Not A Place, and the result is the sound of a band that has stretched itself and grown. Lynn manages to dig even deeper with her lyrics, exploring her feelings about marriage, commitment, and family, while acknowledging her own frantic mind. And the band’s sonic palette is nervier, thanks to the album being recorded live by producer Butch Walker, a songwriter and musician who’s produced records for such artists as Weezer and Panic! At The Disco. Where From The Wreckage was manicured and polished, thanks to Baker’s meticulous production, Happiness Is Not A Place is “rawer and rougher,” as Baker puts it. “To me, it sounds reckless with a rock and roll spirit and attitude, an ‘I don’t give a fuckedness,’ if you will. I wanted it to make sense to our fans but to feel like a step forward musically. And I think we accomplished that. It’s really rough around the edges, and there’s a lot of urgency and pent-up stuff that probably came from both Patty and my nervousness about making a record with an outside producer.”